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Louis Beydts was a French composer, music critic and theatre director, born 29 June 1895 in Bordeaux and died on 15 August 1953 at Caudéran in Gironde. ==Life and career== His father was a wine-merchant who played the flute, while his mother played the piano. At 16, having finished his school studies, he went into the family business. Having learnt the piano and tried some composition, at 18 he studied harmony, counterpoint and fugue with Marc Vaubourgoin. Beydts also studied with André Messager. During the First World War Beydts was mobilized, only returning to civilian life in 1919, picking up his much-appreciated studies with Vaubourgoin until 1924. His parents were supportive of their son’s musical ambitions.〔Landormy P. ''La Musique Française après Debussy.'' Gallimard, Paris, 1943.〕 In Paris he had a work for voice and orchestra ''Le Sommeil'' performed at the Concerts Lamoureux in 1926. In 1927 ''Adieu'' was performed by the Concerts Colonne, and ''Le Promenoir des deux amants'' at the Concerts Pasdeloup.〔 His first attempt at operetta was ''Le Bourreau des cœurs'' (unperformed), but he went on to write others: ''Moineau''〔A complete audio performance is available via the website ''L'encyclopédie multimedia de la comédie musicale théâtrale en France (1918-1940)'' (http://comedie-musicale.jgana.fr/index.htm), accessed 28.01.09.〕(originally entitled ''La Noce'', staged at the Théâtre Marigny on 13 March 1931) with limited success.〔Caubert A. Notes to INA Memoire Vive IMV064.〕 In November 1931 ''la S A D M P (la Société amicale des messieurs prudents)'' with words by Sacha Guitry, was seen at the Théâtre de la Madeleine, and on 22 December of the same year ''le Club les Canards mandarins'' was performed in Monte Carlo. Another collaboration with Guitry ''Voyage de Tchong-Li'' was staged in March 1932. Beydts was among the last generation of composers to conserve and develop the traditional French opérette.〔Traubner R. ''Operetta – a Theatrical History.'' Oxford University Press, 1983.〕 Beydts composed ''A l’aimable Sabine'' and mélodies such as ''La lyre et les amours'' (cycle, 1938), ''Jeux Rustiques'' (Joachim du Bellay, 1936), ''Mélancolie'', Quatre Odelettes, 1929 ; Quatre Humoresques, 1932; Quatre Chansons, 1935 (Chansons pour les oiseaux (Heyse): La colombe poignardée; Le petit pigeon blue; L'oiseau bleu; Le petit serin en cage); le Coeur inutile, as well as a suite for 14 instruments.〔 He was one of seven composers to contribute to an oratorio ''Jeanne d'Arc'' (co-sponsored by the Association Jeune-France), first performed on 28 April 1942 conducted by Charles Munch at the Société des Concerts du Conservatoire. His ''D’ombre et de soleil'' was first performed on 2 February 1947 in a Conservatoire concert, with soloist Ninon Vallin and Beydts himself conducting.〔Kern Holoman D. Société des Concerts du Conservatoire. http://hector.ucdavis.edu/Sdc/MainRoll/D.htm. Accessed 2.06.09.〕 He composed incidental music for a Paris production of ''Numance'' by Cervantes, as several other plays at the Comédie-Française during and after the war, which led to further commissions for incidental music from other Paris theatres.〔Musica et Memoria www.musimem.com/biographies.html〕 In April and May 1941 he acted as artistic director to the recording of ''Pelléas et Mélisande'' conducted by Roger Désormière.〔Massin B. ''Les Joachim, une famille de musiciens.'' Fayard, 1999.〕 He finished his career as Director of the Opéra-Comique in Paris from 1952 to 1953, with the 50th anniversary production of ''Pelléas et Mélisande'' and the first French production of ''The Rake's Progress''.〔Wolff S. ''Un demi-siècle d'Opéra-Comique (1900-1950).'' André Bonne, Paris, 1953.〕 An important figure in Parisian musical life, Beydts was a close friend of the cellist Pierre Fournier.〔Hughes A. ''Pierre Fournier, cellist in a landscape with figures.'' Ashgate, Aldershot and Brookfield, 1998.〕 He died at Caudéran in Gironde. His musical style has been described as traditional, classical, clear, melodic and of indisputable elegance. His favourite composers were Fauré, followed by Debussy, Gounod, Messager, Ravel and Pierné.〔 His conducting may be heard on the recording of Messager's ''Isoline'' and his own ''La Lyre et les Amours'' with Pierre Bernac, and ''A travers Paris''. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Louis Beydts」の詳細全文を読む スポンサード リンク
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